Εσπερίδες της αθηναϊκής ελίτ του 19ου αιώνα

In the mid-1830s, with the foundation of the Modern Greek state which was the first state in Europe to gain its independence from the Ottoman Empire, the country saw the opening of new cultural markets, led by the capital city of Athens. In this framework, a rapid progress in the spread of Western European music is observed, always as part of a conscious and hurried process of westernization. Italian, and then Ionian music teachers settled in Athens, Italian opera companies, and later French operetta troupes performed on Athenian stages, and the first military bands played European music in public spaces. Musical literacy and the ability to play a musical instrument became a high social privilege with the very possession of a piano functioning as a mark of wealth and prestige.
In this paper we will discuss the custom of cultural evening entertainment in nineteenth-century Athenian salons of a private or semi-public character. This includes private music lessons but mostly artistic and social events in clubs, embassies, upper-class mansions and royal palaces. These events initially involved amateur performers, but soon one began to invite professional European artists to Athenian royal courts and wealthy salons. In these occasions, one could meet, apart from the members of the Bavarian court and the administrative hierarchy, also the members of the higher social echelons of Athens, who formed a new cosmopolitan elite with an upper bourgeois identity.