Abstract
This paper attempts a comprehensive evaluation of the artistic contribution of Pavlos Carrer in the field of opera and music theatre, on the basis of recent archival research. Carrer’s work is not homogeneous, nor stagnant; on the contrary it displays remarkable diversity, developing over time over multiple directions, which extend from romanticism to realism, from nationalism to neoclassicism, from oriental to urban-popular. This in depth examination of his work is intended to document and justify the claim that Carrer’s influence is not limited to a local or national level, but instead extends to the wider European operatic field.
| Original language | English |
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| Publication status | Published - 26 Aug 2022 |
| Event | 21st Quinquennial International Musicological Society Congress - University of Athens, Athens, Greece Duration: 22 Aug 2022 → 26 Aug 2022 https://pcoconvin.eventsair.com/ims22/ |
Conference
| Conference | 21st Quinquennial International Musicological Society Congress |
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| Abbreviated title | IMS2022 |
| Country/Territory | Greece |
| City | Athens |
| Period | 22/08/22 → 26/08/22 |
| Internet address |
Keywords
- music
- musicology
- opera studies
- performing arts
- theatre studies
- Creative industries
- Nineteenth century literature and culture
- Nineteenth century studies
- Modern Greek Culture
- Modern Greek Studies