TY - GEN
T1 - Shape constancy in pictorial relief
AU - Koenderink, Jan J.
AU - van Doorn, Andrea J.
AU - Christou, Chris
AU - Lappin, Joseph S.
PY - 1996
Y1 - 1996
N2 - We measured pictorial relief for a series of pictures of a smooth solid object. The scene was geometrically identical (i.e., the perspective of the same 3D scene) for all pictures, the rendering different. Some of the pictures were monochrome full scale photographs taken under different illuminations of the scene. We also included a silhouette (uniform black on uniform white) and a “cartoon” style rendering (visual contour and key linear features rendered in thin black line on a uniform white ground). Two subjects were naive and started with the silhouette, next did the cartoon, finally the full scale photographs. Another subject had seen the object and did the experiment in the opposite sequence. The silhouette rendering is impoverished,but has considerable relief with much of the basic shape. The cartoon rendering yields well developed pictorial relief, even in the naive subjects. Shading adds only small local details, but different illuminations produce significant alterations of relief. We conclude that shape constancy under changes in illumination rules throughout, but that the (small) deviations from true constancy reveal the effect of cues such as shading in a natural setting. Such a “perturbation analysis” appears more promising than either stimulus reduction or cue conflict paradigms.
AB - We measured pictorial relief for a series of pictures of a smooth solid object. The scene was geometrically identical (i.e., the perspective of the same 3D scene) for all pictures, the rendering different. Some of the pictures were monochrome full scale photographs taken under different illuminations of the scene. We also included a silhouette (uniform black on uniform white) and a “cartoon” style rendering (visual contour and key linear features rendered in thin black line on a uniform white ground). Two subjects were naive and started with the silhouette, next did the cartoon, finally the full scale photographs. Another subject had seen the object and did the experiment in the opposite sequence. The silhouette rendering is impoverished,but has considerable relief with much of the basic shape. The cartoon rendering yields well developed pictorial relief, even in the naive subjects. Shading adds only small local details, but different illuminations produce significant alterations of relief. We conclude that shape constancy under changes in illumination rules throughout, but that the (small) deviations from true constancy reveal the effect of cues such as shading in a natural setting. Such a “perturbation analysis” appears more promising than either stimulus reduction or cue conflict paradigms.
UR - http://www.scopus.com/inward/record.url?scp=84978975920&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:84978975920
SN - 3540617507
SN - 3540617507
SN - 3540617507
SN - 9783540617501
SN - 9783540617501
SN - 9783540617501
VL - 1144
T3 - Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
SP - 149
EP - 164
BT - Object Representation in Computer Vision II - ECCV 1996 International Workshop, Proceedings
PB - Springer Verlag
T2 - International Workshop on Object Representation in Computer Vision II, ECCV 1996
Y2 - 13 April 1996 through 14 April 1996
ER -