Abstract
This paper explores the creative process of the "Oresteia (an organic comedy?)", a groundbreaking theatrical production created/directed by Romeo Castellucci in 1995 and 2015. In the paper, a genetic methodology of performance analysis is applied through the thorough study of a plethora of primary sources and the constitution of the detailed "genetic file" of the production.
| Translated title of the contribution | On the traces of Oresteia (an organic comedy?) by Romeo Castellucci: From its conception (1995) to its revival (2015) |
|---|---|
| Original language | French |
| Title of host publication | Parcours de génétique théâtrale |
| Subtitle of host publication | Brouillons, variations et transpositions |
| Editors | Sophie Lucet, Ana Clara Santos |
| Place of Publication | Paris |
| Publisher | Editions Le Manuscrit |
| Pages | 99-128 |
| Number of pages | 30 |
| ISBN (Electronic) | 2304055370 |
| ISBN (Print) | 978-2304055375 |
| Publication status | Published - Dec 2023 |
Keywords
- theatre genetics
- performing arts
- creative process
- theatre studies
- contemporary art
- postdramatic theatre
- perfofmance
- ancient Greek tragedy
- directing
- creative industries
